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January 2012
My life as a silver halide
Do you ever wake up in the night from dreams of floating through salt prints?
Find out more »February 2012
Guilty: the destruction of film emulsion
From highly formulated chemistry through to “that unknown bottle under the sink,” we will explore as many techniques possible for destroying emulsion.
Find out more »April 2012
Chemical Odysseys In B&W
In this four day workshop with Klubvizija SC, participants will be given the space and resources to experiment and create black & white films on 16mm.
Find out more »September 2012
Black & White Reversal
In this workshop, we will be exploring a process of faith whereby the film maker and the film strip become an allegory of one another - the reversal process.
Find out more »March 2013
Зеркало: Reshaping and Lighting Film Emulsion
From mordancage to mirror toning, we will be exploring the possibilities of physical & chemical alteration to the film's emulsion as a means of expression.
Find out more »July 2013
The Gurney-Mott Theory: An Introduction to Hand Processing Motion Picture Film
Abstract: "The diverse operations of developing, fixing and washing films can be carried out conveniently with the help of simple buckets with a capacity of about ten litres. The film is unwound very quickly and plunged in such a way that it unwinds in the developer. When all the film is unwound you move it, always very quickly, into the second bucket, taking care to let it pass between your fingers to make sure that the entire surface is well…
Find out more »August 2013
The Mirror: Reshaping and Lighting Film Emulsion
The Mirror: Reshaping and Lighting Film Emulsion - An Abstract: In this two day workshop, we will be exploring the anatomy of a film strip through a variety of physical and chemical phenomenons that will reshape, destroy and sculpt the film emulsion. Techniques such as reticulation, bleach etching and mirror toning will all be covered and applied to previously processed strips of film, followed by their analysis and interpretation on an optical printer. Additionally, issues concerning both the aesthetic and…
Find out more »September 2013
Handmade Emulsion
Abstract: The process of handcrafting film emulsion is one that offers to the filmmaker an unprecedented degree of creative intervention and expressiveness that simply cannot be accomplished with commercial film stocks -- by making emulsion, the filmmaker is given the ability to manipulate its shape, alter its chemical properties, apply it to non-traditional bases and adjust it in countless additional ways to create a unique, photosensitive material. As such, the process manifests new forms of dialogue within the film’s production,…
Find out more »October 2013
Photochemical Initiatives
Abstract: In this two part workshop with A Free School, participants will discuss and explore the art of photochemistry for motion picture film by composing from a selection of raw chemicals a variety of rare tinters, toners, bleaches and emulsions. Attending the Workshop : This workshop is being produced by A Free School in Los Angeles, CA and will be taking place on two separate days: Chemical Mixology - October 13th, 2013, 2:00 PM - 6:00 PM PST; Handmade Emulsion…
Find out more »November 2013
RedOx: Experimental Color Printing and Processing
Abstract: In this two day workshop, participants will be introduced to color printing on both the contact printer and optical printer so as to generate color positive prints from camera original color negatives. In addition to this, however, we will also explore some of the possible interventions in the color printing process to allow for the use of reduction and oxidation (redox) based processes typically reserved for black & white imagery. These include any argentic (silver) based process such as…
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